TOP 10 MOST CRINGWORTHY NEPAL MOVIE OF ALL TIME.

Nepali movie has seen a significant upgrade in terms of storytelling, acting, and many other movie factors

with the movies like "pasupati parshad", "chakka Panja" franchise, however, that was not the case before late 2000 A.D 

What makes a Nepali movie such a cringe that you can't even watch it in a single sitting without getting embarrassing goosebumps. 

• No script whatsoever
• Bland face acting 
• Overacting in most of the case 
• Editing so bad that you wanna put get to your head
• Terrible direction 
• Over-the-top American accent  
• Maximum color grading or no color grading at all
• They don't have a budget for lightning 

Here are the most cringe-worthy movies according to the internet.

1 Mistake Game Over.

 Yes, it is as horrible as it sounds. As bt Khancha reviews point out, the very fault of this movie is "Mistek"; they didn't even attempt to repair the spelling blunder. Well, the tale goes that a bunch of "young" (at least 29-year-old) college students go on a trip to Ilam and become lost and assaulted by a "jungali manxe" who just follows them around and tries to murder them. Also, this movie has at least 15 random characters who have no contribution to the plot. This movie's double-meaning joke has everything that makes you cringe. Check it out, A rape scene! this is mandatory as covid vaccine. As a result, viewer discretion is advised; watch it at your own risk.

Boyfriend.

Ah, "Boyfriend," the cinematic classic that redefines cringe itself. It's a Nepali treasure that will take you on an emotional rollercoaster, but the only emotion you'll feel is sorrow. The plot, if you can call it that, is a spectacular exhibition of predictability, with twists so revolutionary that you'll see them coming a mile away. The dialogue delivery is a symphony of nails on a chalkboard, causing you to wonder about the life decisions that led you to hit play. The characters are so well-developed that you'll think they just strolled out of a high school drama class rehearsal. "Boyfriend" is a cinematic masterpiece that brazenly confronts the concept of good taste, making it a must-see for everyone who enjoys submitting themselves to uncomfortable situations.

Pari.

The plot, a delicate tapestry of obvious cliches sewn together with the delicacy of a blindfolded baby attempting finger painting, makes you wonder if the screenwriters took a lengthy coffee break. The characters, while having a depth of character that is as shallow as a puddle on a sunny day, manage to deliver performances that make wooden planks appear like Oscar contenders. The cinematography, a stunning demonstration of how not to frame a shot, adds an extra layer of charm, ensuring that every cringe-inducing moment is recorded in all its awful splendor. "Pari" is more than simply a film; it's a cautionary story, a reminder that in the pursuit of mediocrity, you might come across a cinematic masterpiece that defies all expectations - in the worst way possible.

Carang gang.

Prepare for the "Carang Gang Series," a Nepali film so cringe-worthy that even cringe aficionados will groan in astonishment. It's a master class in bad dialogue delivery, with the actors appearing to have gone to overacting school, majored in melodrama, and graduated with honors in cringe-inducing facial expressions. The plot, if you can call it that, unfolds like a badly written soap opera that kindergarten play directors rejected because it was too unrealistic. The special effects are so innovative that they instantly transport you back to the 1990s, and not in a sentimental sense. Forget character development; the characters in this world are as deep as a kiddie pool. So, if you're a fan of inadvertent comedy.

Famous.

"Famous," a Nepali cinematic achievement that pushes the bounds of embarrassment and makes even the most robust stomachs churn in astonishment. The plot is a Shakespearean tragedy, assuming Shakespeare had a habit of composing scripts while on a caffeine high. The characters are so one-dimensional that cardboard cutouts appear more complex. The dialogues are like literary gems, if you consider bad pickup lines and repeated soap opera melodrama to be poetic gems. The special effects are so cutting-edge that you'd think they hired a youngster with a shaky camcorder to do them. Watching "Famous" is like going to the dentist without anesthesia - you're left wondering why you willingly subjected yourself to such anguish. 

ATM.

"ATM," is the pinnacle of cinematic elegance and storytelling. It's a film that effortlessly defies conventions of taste and artistic coherence. The plot, if one can call it that, unfolds like a cryptic jigsaw with pieces seemingly chosen at random from many genres. The character development is a masterclass in inconsistency, leaving fans in awe of the sheer unpredictability of emotional arcs fashioned by a chaotic deity. The dialogue, performed with such seriousness that it could be mistaken for a dramatic reading of a high school poetry slam, adds a cringe-worthy dimension of appeal. "ATM" is a true cinematic miracle that demonstrates once and for all that coherence, rationality, and actual talent are all overrated distractions.

Rath.

"Rath," is a cinematic masterpiece that blends the grace of a soap opera with the subtlety of a sledgehammer. The plot chronicles the thrilling journey of a rickshaw named Rath on its search for self-discovery, evocative of a telenovela on steroids. You'll be on the edge of your seat as the rickshaw navigates Kathmandu's nasty streets, wondering if it'll find its ultimate purpose in life. The character development is so deep that at the end, you'll be emotionally immersed in Rath's existential crisis, making you examine your own life choices. With a speech that matches Shakespeare's writings (if Shakespeare had a gift for cringe), "Rath" is a cinematic experience that will have you doubting the fundamental fabric of reality.

Nepali Tarzan.

Ah, "Nepali Tarzan," the film that redefines the phrase "so bad it's good." It's like watching a train accident in slow motion but with more dubious fashion choices and an abundance of vines that make Tarzan's jungle look like a poorly designed garden. The special effects of "Nepali Tarzan" are so innovative that even a kindergarten art project could compete with them. The acting is on another level, taking "overacting" to previously unseen heights. It's the kind of film that makes you wonder if the director just gave out scripts and cameras to random strangers on the street. Forget Hollywood blockbusters; "Nepali Tarzan" is a cultural phenomenon that will have you giggling.

Jungle Queen. 

"Jungle Queen," is the cinematic disaster that makes you question whether you stumbled across a hidden camera prank rather than a movie. It's as if someone handed a camera to a group of excited children, handed them a cardboard jungle set, and yelled, "Action!" The special effects are so good that even a $5 green screen program could do them credit. The script is a work of unrivaled talent, constructing a story so dense that you'll need a GPS to navigate the tangled mess. The performances are so horrifying that you'll wonder if the performers were auditioning for a comedy, a horror film, or a tragicomedy about the pitfalls of bad career choices

Baltkari Bhoot.

"Balatkari Bhoot" is a cinematic classic that also happens to be the worst film ever made. This cinematic treasure takes cringe to new heights, leaving you longing for the sweet pleasure of temporary oblivion. The idea is as mysterious as Bigfoot, leaving viewers to question not only the plot but also their own life decisions that led them to press the play button. The special effects are so cutting-edge that they might compete with a kindergarten art effort. "Balatkari Bhoot" is an emotional rollercoaster, only you'll just experience regret. It's almost amazing how horrible it is - a true testament to the limitless possibilities of bad filmmaking. Step aside, Academy Awards